By Brendan Martin
This publication focuses upon the literary and autobiographical writings of yank novelist Paul Auster, investigating his literary postmodernity with regards to a whole diversity of his writings. Martin addresses Auster’s evocation of quite a number postmodern notions, resembling the duplicitous paintings of self-invention, the function of probability and contingency, authorial authenticity and responsibility, city dislocation, and the predominance of duality.
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